best british films of the 70s

Much like the 1960s, there were many titles that never quite got the attention that others were afforded. An excruciating slow-motion sequence in a nearby pond is the sort of thing the fast-forward button was made for, but that aside this is a nicely claustrophobic melodrama that remains one of Warren’s best pieces. Mean Streets (1973) The film owes more to French sex-vampire specialist Jean Rollin than it does to Terence Fisher. As far removed from the Hammer/Amicus style as possible, Frightmare has more in common with contemporary American horror (The Texas Chain Saw Massacre had opened in the States on 1 October 1974, just two months before Frightmare opened and five months before Tobe Hooper’s film was formally banned in the UK). Title - … The 32 Best Movies From The ’70s. avg. The film was the first of a series of Anglo-Canadian co-productions (hence the always welcome presence of Keir Dullea, a regular in Canadian films of the time, as Julia’s estranged husband). Symptoms may have got the Cannes kudos but the more disreputable Vampyres is probably the horror film for which José Larraz is most fondly remembered by the fans. The comedies were side splitting funny and there was just so much talent in England. Long disliked for its supposed mean-spiritedness and coldness, the film is finally starting to be recognised for the fitting series finale that it is. Set in an English country house, where a neurotic woman (Angela Pleasence) has invited her girlfriend to stay, it’s a slow burner but John Scott’s excellent score and Larraz’s sparse but effective use of shock tactics (a face at a window; a briefly glimpsed figure at the edge of the frame that really shouldn’t be there) ensure a mounting sense of dread. The Creeping Flesh looks like a Hammer production but was actually made by Tony Tenser’s Tigon British and World Film Services. Unexpectedly chosen as an official British entry at the Cannes festival of 1974, it’s a creepy, modern gothic tale, as inspired by Hitchcock’s Psycho (1960) as it is by Repulsion (the more obvious comparison). Lesbian lovers Jo (Sally Faulkner) and Jessica (Glory Annen) find their already strained relationship stretched to breaking point by the arrival of a strange young man, Anderson (Barry Stokes), who occasionally shows his true colours as a dog-faced alien, on Earth looking for a new food source for his people and deciding that humans are “easy prey”. Taxi Driver (1976) , Lorna Heilbron. Unusually, the titular demons are more psychological than supernatural in a tale of familial madness in which deranged Baron Zorn (Robert Hardy) becomes even more unhinged when he starts to believe that he’s passed his madness on to his children. The restoration of José Larraz’s Symptoms, now made available on BFI Blu-ray/DVD, returns a lost gem to the British horror canon. While his contemporaries like Russ Meyer and Tinto Brass spent the 70s ... Investigation of a Citizen Above Suspicion (1970) The Music Lovers (1970) A New Leaf (1971) The Boy Friend (1971) The Worst Ghost Films of the 1970s; The Top 10 Ghost Films of the 1970s; The Top 20 Ghost Films of the 1970s; The Best Horror Movies Of the 1980s; The Best Science Fiction Movies of 1977; The Best Comedy Movies Of the 2000s; The Most Recently Released Movies; The Most Recently Added Movies Hand-picked. Meanwhile, Lee is perfect as his unpleasant half-brother and Lorna Heilbron, the victim of another’s madness in Symptoms, goes impressively insane herself here as Cushing’s daughter, driven over the edge after her father injects her with a serum derived from the blood of “the Evil One”. A decade on from Rosemary’s Baby (1968), Farrow is still struggling with an unearthly child, heading a top-notch cast that also features Tom Conti, Cathleen Nesbitt, Peter Sallis and a young Sophie Ward in her film debut as Julia’s ill-fated daughter. The winners are listed first, in CAPITAL letters, in each category. A collection of the best Britsh films, some cult, some classic but all class. Through eerie production design and superior acting To the Devil, a Daughter becomes a quite effective horror film and one of the best of the 70s devil worship craze. All movies considered for this list needed to have a Tomatometer (after 5 reviews) and have been made during the decade, even if it didn’t get a major release until later, e.g. Marianne Morris and Anulka Dziubinska are the titular undead, luring passers-by to their rambling mansion, draining them first sexually, then of blood. For more on the decade that was, read our January-February issue. 1. Enjoy! Popularly known, for reasons well beyond cinematic ones, as "the decade that taste forgot", the 1970s was certainly a decade that the mainstream British film industry would prefer to forget. Registered charity 287780. What was the best selling film soundtrack of the 1970s in the UK? Tales from the Crypt is arguably the better known, but the best is this, the seventh and final entry in the series. R | 114 min | Crime,... 2. The Creeping Flesh was directed by Freddie Francis, who had a spotty career in horror. Join here. Interviews from the programme sections, awards, news, red carpet and festival screenings. , Peter Vaughan Charlotte Rampling scored her first Oscar nod as Kate Mercer, one half of a long-married couple nearing a key milestone. Category: Entertainment. Read Dennis Lim and Devika Girish on the decade in cinema. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Mar 26, 2020. But buried beneath the decade’s strikes and power cuts are stunning cinematic gems, says John Patterson It emerged as Shirley the greatest example of the genre still to this day, with an endlessly quotable stream of … TV Shows. Best construed as a saucy sendup of disaster films, very much in vogue in the late 1970s, DeBello’s movie is a deliberately silly, and self-aware spectacle. Fans of British horror will be more than familiar with most of the films on this list, but those coming new to the genre and looking for more could do worse than hop aboard with any of the following oddities, which run the gamut from the more traditional Hammer gothics to a new breed of Home Counties nastiness that flourished during the decade. Chris West. The story is told in flashback, related by Crossley to one ‘Robert Graves’ (Tim Curry) at a hospital cricket match. Subscribe now for exclusive offers and the best of cinema. There was so much humor back in the 70s and 80s when it came to British comedy. If the return of Symptoms has piqued an interest in the often very peculiar world of 70s British horror films, you may be wondering where to go next. 10 great overlooked British horror films of the 1970s Demons of the Mind (1972) Death Line (aka Raw Meat, 1972) The Creeping Flesh (1973) Frankenstein and the Monster from Hell (1974) From beyond the Grave (1974) Vampyres (1974) Frightmare (1974) Full Circle (1977) Prey (1977) The Shout … Film data from TMDb. It features a string of increasingly gruesome murders that culminate in a Grand Guignol finale involving impromptu brain surgery with a power drill. Although mostly known as the decade when Hammer started its slide, mainly through trying to keep up with the more violent and controversial horror films being made in USA and Italy especially, the British horror scene was still very strong indeed. Explore the history of film in list form. It remains one of his very best. Richard Loncraine’s almost forgotten ghost story features Mia Farrow as Julia, a young mother grieving the loss of her daughter and finding herself stalked by the ghost of another child, a vicious little brat who led a gang of 1930s children in the brutal murder of a young German boy. The 70s were full of increasingly overwrought disaster movies, ripe for ridicule and the team of Jerry Zucker, Jim Abrahams, and David Zucker decided that a spoof was well overdue. Desperate for food for himself and his dying wife, ‘The Man’ ventures out to Russell Square station to abduct unwary commuters for his larder…. The story, little more than a thinly veiled stopgap to set up pearl-on-a-string style vignettes, and musical numbers, concerns an outbreak of, you guessed it, killer tomatoes. Now, let’s strut them mean streets, let’s do the time warp again, let’s have ourselves a close encounter with 140 essential 70s movies! ©2021 British Film Institute. It was previously only available in shoddy bootlegs that did little for the film’s oppressive atmosphere, so the restoration finally gives us a chance to savour the film’s peculiarities in all their offbeat glory. Listen to our Decade Project podcast series. Thankfully the Frankenstein series went out in some style with this, the sixth sequel to the film that began their cycle of gothic horrors, The Curse of Frankenstein (1957). A Room with a View (1985) The, typically, Edwardian based period drama’s produced by Merchant Ivory (Ismail Merchant and James Ivory) were the main international bread-winners of the British Film Industry throughout the 1980’s and into the 90’s, and were the productions upon which the term ‘heritage film’ was coined. Directed by: Andrew HaighStarring: Charlotte Rampling, Tom Courtenay Two giants of British screen acting, surprisingly working together for the first time, make a combustible double-act in this Norfolk-set two-hander. 33 Great 70s Films That Time Forgot. The highest-rated in '70s horror, includingCarrie, Halloween, Dawn of the Dead, Suspiria, and Alien The baron’s final fling sees him creating a hulking brute of a monster in an insane asylum. 50 Best Sci-Fi Movies of the 1970s From cosmic head trips to adventures in galaxies far, far away He inveigles his way into the lives of experimental musician Anthony Fielding (John Hurt) and his wife Rachel (Susannah York), embarking on an emotionless affair with her and memorably demonstrating his power to him on a remote Devon beach. 45,158 views made by Sean's_Lists. Lesbianism is again a central concern but the presentation is altogether more exploitative this time. Skolimowski isn’t telling (the ending is satisfyingly ambiguous) and the film is all the more disquieting for his reluctance. Cushing, marvellous as ever, plays the emotionally unstable anthropologist (relating the film in flashback from an asylum cell) who resurrects an ancient evil when the prehistoric skeleton he’s working on regenerates. Polish director Jerzy Skolimowski adapted this deeply unsettling film from a very short story by Robert Graves and tells the tale of a psychiatric patient Crossley (Alan Bates) who claims he has learned a singular skill from his time with Australian Aborigines – he can kill just by shouting. Given the subject matter it’s appropriate that this was the first British film with a Dolby soundtrack and Skolimowski makes stunning use of the technology, particularly during the aforementioned beach scene. The Wicker Man may be the obvious entry point but there’s a wealth of strange and perhaps less well-known films out there to enjoy. By the early 70s it looked as if Hammer’s Dracula and Frankenstein films had run their course, the release of the terrible Scars of Dracula and The Horror of Frankenstein (both 1970) suggesting that the company no longer had any idea what to do with their most famous monsters. The 1970s brought the beginning of the slasher movie, the emergence of a number of directors and actors who remain active today, the birth of franchises that are still going and, in one particular case, one of the most successful movies ever made. The experiment was deemed a failure by distributors EMI, who unceremoniously dumped it onto the wrong end of a double bill with the altogether less interesting Tower of Evil. Although mostly known as the decade when Hammer started its slide, mainly through trying to keep up with the more violent and controversial horror films being made in USA and Italy especially, the British horror scene was still very strong indeed. For Brow Beat, Monahan selected some of his favorite British crime and suspense films from the 1960s and 1970s. Donald Pleasence is outstanding (again) as the ex-military man worming his way into the life of Ian Bannen’s hapless commuter, luring him into a bizarre extra-marital affair with his creepy daughter (eerily played by Symptoms star Angela). Gothic films were still around in the 70s of course and, as was often the case, the better ones starred the perennial Peter Cushing/Christopher Lee tag team. Which British band put A Message In A Bottle in 1979? Boasting a wonderful performance by Angela Pleasence’s dad Donald as a no-nonsense copper, this grisly gem tells of the last survivors of a Victorian tunnelling disaster who are living in the labyrinthine depths of the modern-day London underground network. All rights reserved. Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie Spotlight. There were comedians immensely funny from all backgrounds of life in England from Warren Mitchell to Lenny Henry to Benny hill, Les Dawson and the very funny David Jason. Music, Film, TV and Political News Coverage. A look at some of the best British TV Shows & Series 1970s and 1980s. ... Vincent Price adopts the more psyched-out style of British horror in the ’70s in this serial … The obligatory comedy episode gets in the way as they always do, but the rest form a fine collection of macabre tales held together by Peter Cushing’s charmingly sinister junk-shop owner. Those wanting to dig deeper should refer to Jonathan Rigby’s definitive study of the British horror film, English Gothic. British Horror Films: The Unseen 70s . Upgrade to a Letterboxd Pro account to add your favorite services to this list—including any service and country pair listed on JustWatch—and to enable one-click filtering by all your favorites. News, features and opinion on the world of film. The Running Jumping & Standing Still Film: Richard Lester: Peter Sellers, Spike Milligan: Comedy: Short film Sands of the Desert: John Paddy Carstairs: Charlie Drake, Peter Arne: Comedy: Saturday Night and Sunday Morning: Karel Reisz: Albert Finney, Shirley Anne Field, Rachel Roberts: Drama: Number 14 in the list of BFI Top 100 British films: The Savage Innocents 4 Taste The Blood Of Dracula (1970) Pete Walker made a string of confrontational horror films throughout the decade, starting with the censor-baiting House of Whipcord in 1974. The Best '80s British Movie. The 1970s was one of the best decades in the history of horror movies and we've narrowed down the incredible era to the 21 scariest and best films. Pick of the crop though is the opener, in which David Warner finds something very nasty indeed lurking in the ornate mirror he tricks Cushing into selling him for a knock-down price. His second, Frightmare, is his brutal masterwork, a genuinely unsettling tale of Home Counties cannibalism with another tour-de-force performance from his regular leading lady, the formidable Sheila Keith. Menu. The Lickerish Quartet (1970) Radley Metzger was a pioneer of erotica. Fun though it undeniably is, there was never any danger of Vampyres getting shown on the Croisette. The film Rocketman charts the rise of which 70s superstar? Each of the recommendations included here is available to view in the UK. Peter Sykes' film mixes well-filmed black magic rituals to bring out its devilish tale, adding extra nuance to the already creepy proceedings. It all takes a while to get going but culminates in an unexpectedly moving finale that does indeed bring the story full circle. Steve G is using Letterboxd to share film reviews and lists with friends. score: 55 of 191 (29%) ... 50 Greatest Romantic Comedies of All Time According to Rolling Stone. Walker continued to plough this blood-soaked furrow with the likes of House of Mortal Sin (1975), Schizo (1976) and The Comeback (1977) but none proved to be as viscerally effective as Frightmare. Find out about international touring programmes, BFI Film Academy: opportunities for young creatives, Get funding to progress my creative career, Search the BFI National Archive collections, Read research data and market intelligence, Search for projects funded by National Lottery, Apply for British certification and tax relief, Get help as a new filmmaker and find out about NETWORK, Find out about booking film programmes internationally, Because there’s a world beyond The Wicker Man…. Pleasence steals the show but is capably assisted by Lorna Heilbron as the new object of her twisted affection and Peter Vaughan as the reddest herring in 70s British cinema, a brooding handyman who knows more than he’s letting on. Note: The films that are marked with a yellow star are the films that "The Greatest Films" site has also selected as the "100 Greatest Films." The BBFC were not at all amused with its graphic sex and savage violence, reducing both dramatically. Peter Cushing – sporting an alarming bouffant – was back as the baron (taking back the role from Ralph Bates, who did a terrible job in The Horror of Frankenstein) and just as crucially Terence Fisher was back in the director’s chair. As the new decade dawned, Hammer were looking to spread their wings and were willing to try ideas! It just the deranged ramblings of a madman carpet and festival screenings to Jonathan Rigby s... 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